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Posts Tagged ‘“10-24mm”’

Orvieto Cathedral is the most stunning building in the world, at least as far as I’m concerned. Normal photographs just can’t do it justice, and neither can words: you just have to see it for yourself.

Now I’ve travelled all over the world and seen plenty of grand vistas and amazing sights, but last March I was truly stunned by Orvieto’s main claim to fame. Groggy with a heavy cold, I took the bus from the funicular station to the main square, then stumbled out onto the piazza with my fellow tourists. We turned around, and there it was, resplendent in the strong sunshine, its black and white layered stone and intricate facade towering before us.

Of course I took the usual touristy snaps, but then I put on my 10-24mm wide angle lens and got in close for some more unusual views, and here is one of them.

If you want to experience the full majesty of this sublime building, then head for Orvieto: you won’t be disappointed.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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I finally got my hands on Nik Software’s Complete Collection yesterday, which was pretty exciting, as I’d heard only good things about these products, and the black and white converter I’d tried as a demo is excellent.

So, for a first test run, I’d thought I’d revisit Photo of the Day #20, my shot of the Venetian lagoon from the island of Burano, and see if I could improve it with this suite of new technological wizardry.

Here’s the original picture, with post-processing done in Aperture 3, which consisted of a bit of edge sharpening, some level adjustments, saturation and contrast tweaks. Click on the picture to see a bigger version.

I reverted back to the original JPEG (yes, folks, I don’t shoot RAW), then worked my way through the suggested workflow for the Complete Collection.

First up, I put it through Dfine 2.0, a noise reduction utility. To be honest, I couldn’t really notice any difference afterwards – perhaps because the photo was shot at ISO 100 and so wasn’t too noisy to begin with?

Next came Viveza 2.0, a tool for selectively adjusting colour and light. I think I just darkened the sky a bit.

Next, the main event – Color Efex Pro 3.0, an amazing collection of digital filters. I guessed some kind of graduated filter would help to enhance the sky, and after playing around with various configurations, I came up with something that I think adds impact without being too unnatural.

Finally, I launched Sharpener Pro 3.0 and cranked things up a bit: I think I may actually have over done it, but never mind.

Here’s the result. Better? Or too over the top? I’ll let you decide…Click on the picture to see a bigger version.

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The Pantheon is one of the best preserved ancient Roman structures in the world. From its impressive columned facade in the centre of Rome, one passes inside to gaze up at the two thousand year-old rotunda, the largest unreinforced concrete dome in the world.

I’ve been to the Pantheon twice in the last year, but the second time I came armed with the wonderful Nikon 10-24mm wide-angle lens which is essential for capturing such architectural delights decently.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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It was a rainy day when I headed out for the tiny island of Burano in the Venetian lagoon. After walking through the canals lined with insanely colourful fisherman’s houses, the clouds broke as I came upon this superb view. Perfect for the 10-24mm wide-angle lens, I was glad I hadn’t abandoned the trip due to the bad weather forecast. It pays to be patient in photography.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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Last winter I bought a new 10-24mm wide angle lens in Osaka, then tried it out around the bizarre Umeda Sky Building. Up on the viewing platform I suddenly thought of putting the Nikon D7000 on the carpet to view those looking out at the view, although I actually focussed on the floor.

Lines, light, shades and textures make this one work.

Wide angle lens are great fun, and, like macro lenses, can transform the ordinary into the spectacular.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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A cloudy day in Osaka last week, and I went to visit the National Museum of Art, housed underground with a complex structure of metal tubes arranged in arcs on the surface above. Grabbing the Nikon D7000 and 10-24mm ultra wide angle lens, I took a few shots which I later found looked better as a colour monochrome.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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