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Posts Tagged ‘18-200mm’

I went to an Irish pub in Hiroshima last night to get some fish and chips, not to mention a refreshing pint of Guinness.

I’d like to say that this place is an oasis of Western culture in this provincial Japanese city, but that would only be true if you define Western culture as idiotic shouting ex-patriots.

I didn’t stay long, but quickly thought it might be fun to try a little ‘still life’ with all the nice tones from the wooden table and beer glass in front of me.

Unusually for me, I shot this in RAW and last night worked it up in Aperture 3 with Nik Software plug-ins.

Yes, I know, it’s over-sharpened, and yes, there is that distracting patch of reflection on the table to the left of the beer glass, plus I should have used an f-stop that would’ve allowed the entire glass to be in focus, but still I find it to be a striking image.

Cheers!

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

 

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Another close-up of a child’s climbing frame in a Hiroshima park – proving that beautiful tones, textures and curves can be extracted from the most industrial of locations. (Anyone who as been to ‘parks’ in Japan will understand this : Japanese kids must be content to play in dusty squares devoid of any grass whatsoever).

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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I have to walk along a narrow path next to a rice paddy to get to my house. I’d often noticed that at times the clouds reflected in the water might make a good picture, but yesterday it was particularly suitable: a ruddy sunset beginning, and the rice plants were verdant. I grabbed the camera, came out again and took a series of bracketed shots, then put them into Photomatix Pro to merge them into an HDR composite, and this was the result.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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I took this shot with the 18-200mm zoom on a foggy day in Venice last March. The weather wasn’t conducive to grand panoramas, so I thought I’d try a bit of sneaky street photography. Why is he annoyed? As I remember, he was waiting for his girlfriend, but who knows – it’s fun to imagine the scenario.

Originally this was a straight black and white shot from the Nikon D7000, but last night I downloaded the demo version of Nik Software’s Silver Efex Pro, and this is the result – a vast improvement…

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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We often regard our ancient forbears as primitive when compared to the wonders of our twenty-first century technology, but this statue of the first Roman emperor Augustus in the Vatican Museum is stunning in its detail and quality, showing us that sublime human skill and ingenuity existed two thousand years ago, too.

I used the Nikon D700 with 18-200mm zoom without flash for this one, although a fast prime lens would have been better. Black and white really emphasises the features and the contrast between the light marble and the dark background.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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I snapped this today in a local shopping centre in Hiroshima, where I’d gone to see a film in the cinema. On the way out I couldn’t help notice the appealing lines of the ceiling in this mammoth building, and luckily I had the D7000 handy to try some shots.

A while back I’d bought Photomatix Pro, software for producing HDR (High Dynamic Range) photos, and I was keen to try it out.

For those readers who aren’t familiar with HDR, it is an attempt to make up for the deficiencies of what the camera’s sensor can deal with by combining a series of images taken at different exposures. The human eye doesn’t have a problem with scenes containing great differences between light and dark, but cameras have always struggled: when confronted with a dark foreground and a light sky, you normally have to set the exposure for one or the other, or compromise between the two, leading to less than optimum results.

I set the camera to burst mode and bracketed so that each shot resulted in a series of three images produced at different exposures. Then, back home, I dropped the pictures into the software and experimented with the various methods of blending them together. Some are more gentle and realistic, but I opted for a fairly extreme setting, giving the picture an artistic, but unreal quality.

HDR is fairly divisive : people seem to either love it or hate it, but it certainly adds a extra layer of creative possibilities to photography.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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Nara, an ancient Japanese city near Kyoto, contains the largest wooden building in the world which houses an enormous bronze statue of the Buddha.

Inside, lighting is challenging, but the Nikon D7000 coped admirably, allowing me to zoom in on the hand of a minor deity and produce a beautiful shot even at ISO 3200.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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This photo illustrates a number of important points in photography. First, that the mundane can become extraordinary if the conditions are right: here the much maligned pigeon is transformed into a creature of beauty by the zoom lens.

Second, just because we’re in a famous location (this was in St Mark’s Square, Venice), it doesn’t mean that we have to limit ourselves to taking the same photos of famous monuments that everyone else is taking.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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I took a break from my sightseeing in Vicenza, Italy, last March, and sat down on the church steps. This Italian Eve then appeared, and I couldn’t resist taken a surreptitious shot, much as I feel very uncomfortable about candid street photography.

Later, back home, I thought I’d try something new (for me), and used the saturation brush in Apple’s Aperture to transform the non-human elements in the shot to black and white. I think it works well.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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Walking past a children’s playground near Hiroshima Castle, and it suddenly struck me that the bright colours of the climbing frame might make a good picture. Symmetry, textures and tones against a flat sky. (Nikon D7000 with 18-200mm VR).

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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