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Posts Tagged ‘Nikon’

“Winter Skeletons” : Hiroshima, 4th December 2010

Late afternoon, just over a year ago, and I went out to test my then new Nikon D7000.

I climbed up Ogonzan, a local hill which commands great views over the Inland Sea and the city, and is reputed to house the villas of yakuza kingpins.

I survived unscathed and took a number of sunset landscape shots before noticing this forlorn leaf cling to the skeletal remains of a tree, bathed in the amber glow of the sunset, and thought it made a great symbol of the stark beauty of winter.

This shot is straight out of the camera, with no cropping or post-processing whatsoever.

Check out a larger version of it here.

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“Liquorice Cathedral” : Siena, Italy, 5th September 2010

Siena is full of art treasures, home to a bizarre and violent horse race, and the streets frequently ring to the sounds of the massed drummers of local factions decked out in medieval garb.

The Duomo, however, is the thing to see above all. While the exterior is not as impressive as that of Orvieto‘s cathedral, the interior is a mad riot of black and white stripes, resembling liquorice allsorts rather than ecclesiastical architecture.

I took this with my old Nikon D90 camera, which could produce the most amazing tones in low light, superior to my current D7000, I must say. As usual, no tripod, so I leant against something and held my breath, and was able to get away with a very slow shutter speed indeed.

In fact, the colouration is so good here that I did no post-processing whatsoever: it’s a straight out of the camera lowly jpg file…

See a larger version of this photo by clicking here.

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Somewhere in Kyoto under a thick canopy of trees I discovered these rows of mossy figurines, weathered and wizened, untended and largely unobserved by the tourist masses.

But here I am to record them, or at least one of their number, who, rather endearingly, has a small leaf stuck under his stone nose.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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I travel to the Kansai region of Japan at least once a year. I love the contrast between traditional conservative Kyoto and brash neon Osaka.

Here, walking along the canals in the central shopping and entertainment district of the latter, I found this decorative restaurant front, a blend of the old and the new, the predominant reds and oranges catching my eye.

I didn’t even stop to see what kind of food they were serving!

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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Last December I treated myself to a Nikon 60mm f/2.8 AF-S in order to ease myself into the world of macro photography.

What better way to test it out than by going through some of the more industrial parts of Hiroshima and finding some exciting patches of rust to focus on.

The good thing about rust is that it stays still, unlike pesky bugs.

I really like rust – the textures and colours are fantastic, and getting in really close reveals an exciting jagged abstract landscape.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

 

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I went to an Irish pub in Hiroshima last night to get some fish and chips, not to mention a refreshing pint of Guinness.

I’d like to say that this place is an oasis of Western culture in this provincial Japanese city, but that would only be true if you define Western culture as idiotic shouting ex-patriots.

I didn’t stay long, but quickly thought it might be fun to try a little ‘still life’ with all the nice tones from the wooden table and beer glass in front of me.

Unusually for me, I shot this in RAW and last night worked it up in Aperture 3 with Nik Software plug-ins.

Yes, I know, it’s over-sharpened, and yes, there is that distracting patch of reflection on the table to the left of the beer glass, plus I should have used an f-stop that would’ve allowed the entire glass to be in focus, but still I find it to be a striking image.

Cheers!

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

 

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Orvieto Cathedral is the most stunning building in the world, at least as far as I’m concerned. Normal photographs just can’t do it justice, and neither can words: you just have to see it for yourself.

Now I’ve travelled all over the world and seen plenty of grand vistas and amazing sights, but last March I was truly stunned by Orvieto’s main claim to fame. Groggy with a heavy cold, I took the bus from the funicular station to the main square, then stumbled out onto the piazza with my fellow tourists. We turned around, and there it was, resplendent in the strong sunshine, its black and white layered stone and intricate facade towering before us.

Of course I took the usual touristy snaps, but then I put on my 10-24mm wide angle lens and got in close for some more unusual views, and here is one of them.

If you want to experience the full majesty of this sublime building, then head for Orvieto: you won’t be disappointed.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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A typically sunny December day in Japan, and a trip out to Miyajima, a popular island near Hiroshima, to shoot the vestiges of the country’s past with the Nikon D7000.

Here we see the base of a five-storey pagoda in the foreground, its gaudy orange paint-work contrasting nicely with the more restrained temple building in the background.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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I finally got my hands on Nik Software’s Complete Collection yesterday, which was pretty exciting, as I’d heard only good things about these products, and the black and white converter I’d tried as a demo is excellent.

So, for a first test run, I’d thought I’d revisit Photo of the Day #20, my shot of the Venetian lagoon from the island of Burano, and see if I could improve it with this suite of new technological wizardry.

Here’s the original picture, with post-processing done in Aperture 3, which consisted of a bit of edge sharpening, some level adjustments, saturation and contrast tweaks. Click on the picture to see a bigger version.

I reverted back to the original JPEG (yes, folks, I don’t shoot RAW), then worked my way through the suggested workflow for the Complete Collection.

First up, I put it through Dfine 2.0, a noise reduction utility. To be honest, I couldn’t really notice any difference afterwards – perhaps because the photo was shot at ISO 100 and so wasn’t too noisy to begin with?

Next came Viveza 2.0, a tool for selectively adjusting colour and light. I think I just darkened the sky a bit.

Next, the main event – Color Efex Pro 3.0, an amazing collection of digital filters. I guessed some kind of graduated filter would help to enhance the sky, and after playing around with various configurations, I came up with something that I think adds impact without being too unnatural.

Finally, I launched Sharpener Pro 3.0 and cranked things up a bit: I think I may actually have over done it, but never mind.

Here’s the result. Better? Or too over the top? I’ll let you decide…Click on the picture to see a bigger version.

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Brought my camera into work one day last December, and chatting to my friend, I suddenly noticed the pleasing colours of his thermos flask against the plastic bench.

Standing up, and taking the shot as I leaned over, the cylinder was transformed into something pleasing, despite the fact that I didn’t quite manage to get perfectly above it.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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