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Posts Tagged ‘Venice’

“Venice Fading” : Italy, 15th March 2011

It may be true that Venice is fading if we think in terms of its shrinking native population and their fears that the unique maritime city will soon become a dead museum. One can also see unmistakeable evidence that the place is crumbling, gradually making way before the power of nature against this very unnatural of habitats (a whole city, built on wooden stilts pushed into the marsh).

However, on this foggy day as I sped past the main square, thinking that the inclement weather would be affording me few photographic opportunities, I hadn’t reckoned on the mist being so low as to partially erase the top of the Campanile, or the obliging pigeon who appeared exactly at the right moment.

Incidentally, this very tower, originally built in 1514, suddenly collapsed one morning in 1902, mercifully not injuring anyone, before being reconstructed ten years later. So it really did disappear from view for a decade:

You can see a bigger version of my photo by clicking here.

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As I mentioned in yesterday’s post, I’ve decided to alternate between freshly processed images from my recent European trip and selections from my back catalogue, just to spice things up a bit and create more variation.

So today you get two shots of contrasting walls from the insanely colourful Italian island of Burano in the Venetian lagoon, taken last March.

This place is famous for its gaudy and over-the-top house decor – imagine a village in which every dwelling is painted in a dazzling shade with complete disregard to the colours of those surrounding it, and that’s Burano.

These bright colours may look fake, but I can assure you that these pictures have no post-processing whatsoever – that’s really how it was!

I clearly remember this visit, since it was raining at the beginning, and while waiting for things to improve I sneaked into a local cake shop and stuffed a few pastries into my gut. After this my sticky fingers got cream and jam all over my Nikon…

Lots of fun!

Bigger versions of these pictures here and here.

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Someone once told me that you can point a camera anywhere in Venice and you’ll get a good picture.

Not strictly true, but there certainly is a lot of detail beyond the well-worn tourist traps.

I passed these ancient chimneys several times on my walk from the hotel in the north down to the centre, and waited for the right occasion to photograph them – blue sky, late afternoon.

Venice is a truly unique place: if you ever get the chance to go there, do so before it crumbles. Despite the hoards, it retains its magic, particularly if one strays into the less well-known quarters.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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Well, I bet there are few visitors to Venice who’ve taken a picture of the Campanile on St Mark’s Square like this…

Late at night, cold, foggy and rainy, and I decided to play with the white balance a bit (although the sky really was a sickly brown colour).

I didn’t defocus deliberately – the camera couldn’t operate properly in the gloom, and so the shutter fired without having acquired focus.

Modern art!

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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Today I unleash upon you the full horror of an over-processed self-portrait.

Yes, here I am, looking like a cross between Lenin and Dostoevsky, although I don’t have a Slavic gene in my body (that I know of), and that’s Venice behind me, not St Petersburg.

So there you have it – an injection of narcissism to counter the general lack of humanity in my photographs :)

I promise it’ll never happen again…

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One of my favourite photographs, this dates from last September of last year. I was perched up on a balcony in St Mark’s basilica, Venice, taking some shots with a 55-200mm zoom on the Nikon D90.

The square below was flooded (as it periodically is), and I just homed in on this man taking a snap with his camera, a kind of ‘the watchers are being watched’ type thing.

I like the white cross behind him, the glare off the water and the odd red filter, which I think I added later that night in-camera. It was just a random effect selection, but it really adds something to the shot.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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I finally got my hands on Nik Software’s Complete Collection yesterday, which was pretty exciting, as I’d heard only good things about these products, and the black and white converter I’d tried as a demo is excellent.

So, for a first test run, I’d thought I’d revisit Photo of the Day #20, my shot of the Venetian lagoon from the island of Burano, and see if I could improve it with this suite of new technological wizardry.

Here’s the original picture, with post-processing done in Aperture 3, which consisted of a bit of edge sharpening, some level adjustments, saturation and contrast tweaks. Click on the picture to see a bigger version.

I reverted back to the original JPEG (yes, folks, I don’t shoot RAW), then worked my way through the suggested workflow for the Complete Collection.

First up, I put it through Dfine 2.0, a noise reduction utility. To be honest, I couldn’t really notice any difference afterwards – perhaps because the photo was shot at ISO 100 and so wasn’t too noisy to begin with?

Next came Viveza 2.0, a tool for selectively adjusting colour and light. I think I just darkened the sky a bit.

Next, the main event – Color Efex Pro 3.0, an amazing collection of digital filters. I guessed some kind of graduated filter would help to enhance the sky, and after playing around with various configurations, I came up with something that I think adds impact without being too unnatural.

Finally, I launched Sharpener Pro 3.0 and cranked things up a bit: I think I may actually have over done it, but never mind.

Here’s the result. Better? Or too over the top? I’ll let you decide…Click on the picture to see a bigger version.

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A cold night in Venice last March, and I went out to do some night street photography, a 35mm f1.8 prime lens on the Nikon for low-light situations.

Walking from my hotel on the northern edge of the city, I had to pass the Rialto bridge across the Grand Canal to get to St Mark’s Square. Standing on the bridge with others admiring the view or taking their own photos, I found my fellow tourists of more interest than the sights.

Who is this mysterious girl, and what was she thinking? Let your imagination decide…

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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I took this shot with the 18-200mm zoom on a foggy day in Venice last March. The weather wasn’t conducive to grand panoramas, so I thought I’d try a bit of sneaky street photography. Why is he annoyed? As I remember, he was waiting for his girlfriend, but who knows – it’s fun to imagine the scenario.

Originally this was a straight black and white shot from the Nikon D7000, but last night I downloaded the demo version of Nik Software’s Silver Efex Pro, and this is the result – a vast improvement…

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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This photo illustrates a number of important points in photography. First, that the mundane can become extraordinary if the conditions are right: here the much maligned pigeon is transformed into a creature of beauty by the zoom lens.

Second, just because we’re in a famous location (this was in St Mark’s Square, Venice), it doesn’t mean that we have to limit ourselves to taking the same photos of famous monuments that everyone else is taking.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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