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Posts Tagged ‘“wide angle”’

“Tokyo Curves” : Ebisu Garden Place, 21st March 2012

The ingredients of a good photo opportunity: contrasting colours, shapes and intensity of light. If they’re packed in close in an urban setting, break out your ultra-wide angle lens and shoot from a direction that is outside of the everyday person’s view.

This is Ebisu Garden Place, a modern development in Tokyo featuring a melange of old and new architectural styles, not to mention the Metropolitan Museum of Photography, the entrance of which always makes me laugh: among other prohibitions, there’s an icon informing you that no cameras are allowed. Oh, the irony…

A bigger version of this snap exists here, but I dare say you can’t be arsed.

 

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“Lego Monolith” : Tokyo, 16th March 2012

OK, so I know this particular skyscraper isn’t really made of lego, but it just looks so blocky and ugly that it is suggestive of that.

Whatever it’s made of, it’s impressive in its dimensions and stark commanding appearance. No beauty, but you are in certainly in awe of it.

I can’t quite remember where this was in Tokyo, but an ultra wide angle lens tends to make many buildings a bit more sinister, almost as if they’re leaning over you…

Click here for a larger version.

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“Industrial Window” : Hiroshima, Japan, 21st February 2011

Well, since this is the 300th photo I’ve published to this blog, I’d better make it something special.

This was taken just over a year ago down near the sea in a new architectural wonder in town that is….the rubbish disposal plant.

I don’t know exactly what goes on here – some kind of recycling, I suppose, but hats off to the local authorities for making it a fun place that includes an interactive exhibition for kids and a nice grassy park area next to the sea. They really have turned a load of crap into something worth looking at!

The building itself is great, and here I found the perfect opportunity to deploy the ultra-wide zoom to good effect.

Through the window we can glimpse the Inland Sea, with another industrial facility in the distance: downstairs leads to the park area.

This photo is one of my personal favourites: I can only hope that I haven’t already posted this, since although I keep meticulous records, I’m getting some serious deja-vu from this one…

Click here for a larger version of this photo.

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“Architectural Curve” : Lisbon, Portugal, 5th September 2011

Getting up close to things looks really good when your camera is equipped with a wide-angle lens. In fact they work best that way, drawing you into the picture, rather than more of the scene.

Here at the National Pantheon (formerly the Church of Santa Engrácia) in Lisbon, I took things to extremes by actually squeezing myself into this narrow dip in the huge building’s side, then pointing the camera upwards.

Check out the larger version of this image here.

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“Sharp Building” : Lisbon, Portugal, 4th September 2011

I was in search of Lisbon’s historic Alfama quarter, an area of narrow winding streets of great character based on the old medina of the Moors, but I got somewhat lost, which is usually a good thing in a city brim full of interesting sights.

As I climbed up a steep hill with old trams passing, I stumbled across the Sé de Lisboa, the city’s imposing twelfth century cathedral.

Moving back to try to get this huge edifice within the frame I hit a railing, turned round and discovered an equally interesting sight down below, accentuated by my use of a 10-24mm wide-angle lens.

Why are those windows bricked up, I wonder? Did the Portuguese have a window tax like the English?

Click here to see a larger version of this photo. Go on, do it, treat yourself.

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“Strasbourg Cathedral” : 29th August 2011

Europe has plenty of impressive architectural monuments of a religious nature, and Strasbourg’s cathedral is up there among the finest.

The only trouble is, such is the size of this reddish giant, it’s virtually impossible to get it all within the camera’s viewfinder.

It’s quite amusing to watch the tourists backing up as far as is humanely possible on the square to squeeze the beast into their snaps.

Me, I pulled out my 10-24mm wide-angle lens to produce this heavily distorted and surreal-looking shot.

Kind of reminds me of Breughel’s ‘Tower of Babel.”

I actually made several attempts at capturing this edifice: here are two more, vastly different approaches. You can decide for yourself which one you like best…

HDR version, in which three shots of differing exposure were combined, giving an arty, unreal feel.

Another wide-angle shot, this time with duplex processing applied to create a warmer, less harsh rendition.

You can see bigger versions of these photos here, here and here.

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Orvieto Cathedral is the most stunning building in the world, at least as far as I’m concerned. Normal photographs just can’t do it justice, and neither can words: you just have to see it for yourself.

Now I’ve travelled all over the world and seen plenty of grand vistas and amazing sights, but last March I was truly stunned by Orvieto’s main claim to fame. Groggy with a heavy cold, I took the bus from the funicular station to the main square, then stumbled out onto the piazza with my fellow tourists. We turned around, and there it was, resplendent in the strong sunshine, its black and white layered stone and intricate facade towering before us.

Of course I took the usual touristy snaps, but then I put on my 10-24mm wide angle lens and got in close for some more unusual views, and here is one of them.

If you want to experience the full majesty of this sublime building, then head for Orvieto: you won’t be disappointed.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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I finally got my hands on Nik Software’s Complete Collection yesterday, which was pretty exciting, as I’d heard only good things about these products, and the black and white converter I’d tried as a demo is excellent.

So, for a first test run, I’d thought I’d revisit Photo of the Day #20, my shot of the Venetian lagoon from the island of Burano, and see if I could improve it with this suite of new technological wizardry.

Here’s the original picture, with post-processing done in Aperture 3, which consisted of a bit of edge sharpening, some level adjustments, saturation and contrast tweaks. Click on the picture to see a bigger version.

I reverted back to the original JPEG (yes, folks, I don’t shoot RAW), then worked my way through the suggested workflow for the Complete Collection.

First up, I put it through Dfine 2.0, a noise reduction utility. To be honest, I couldn’t really notice any difference afterwards – perhaps because the photo was shot at ISO 100 and so wasn’t too noisy to begin with?

Next came Viveza 2.0, a tool for selectively adjusting colour and light. I think I just darkened the sky a bit.

Next, the main event – Color Efex Pro 3.0, an amazing collection of digital filters. I guessed some kind of graduated filter would help to enhance the sky, and after playing around with various configurations, I came up with something that I think adds impact without being too unnatural.

Finally, I launched Sharpener Pro 3.0 and cranked things up a bit: I think I may actually have over done it, but never mind.

Here’s the result. Better? Or too over the top? I’ll let you decide…Click on the picture to see a bigger version.

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The Pantheon is one of the best preserved ancient Roman structures in the world. From its impressive columned facade in the centre of Rome, one passes inside to gaze up at the two thousand year-old rotunda, the largest unreinforced concrete dome in the world.

I’ve been to the Pantheon twice in the last year, but the second time I came armed with the wonderful Nikon 10-24mm wide-angle lens which is essential for capturing such architectural delights decently.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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It was a rainy day when I headed out for the tiny island of Burano in the Venetian lagoon. After walking through the canals lined with insanely colourful fisherman’s houses, the clouds broke as I came upon this superb view. Perfect for the 10-24mm wide-angle lens, I was glad I hadn’t abandoned the trip due to the bad weather forecast. It pays to be patient in photography.

A larger version of this picture can viewed here at my dedicated website and store, Andy Lightfoot Photography.

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